Tuesday, May 14, 2013

Yoshikawa Eiji (吉川栄治)


                                               

            Yoshikawa Hidetsugu  (吉川英次) or known as Yoshikawa Eiji was born August 11th, 1982 in Kanagawa prefecture which is now is part of Yokohama. Because the situation of his family, he had to drop out from school and looking for job when he was eleven years old. After he was 18, after a near fatal accident working at Yokohama dock, he move to Tokyo and become an apprentice in a gold lacquer workshop. He spends his spare time which is not much, with reading and writing haiku and story. He joined a poetry society and started writing comic haiku under the pseudonym “Kijiro.”
            In 1914, with The Tale of Enoshima, he won first prize in novel-writing contest sponsored by publisher Kodansha. He joined Maiyu Shimbun (Maiyu Newspaper) in 1921, in the following year he began publishing serialization, starting with “Shinran” (親鸞).
            He married Yasu Akazawa in 1923, the year of the Great Kantō earthquake. In this situation he decide to be a professional writer. In the same year he published stories in various periodicals published by Kodansha, who recognized him as their number one author. He used 19 pen names before settling on Eiji Yoshikawa. He first used this pen name with the serialization of Sword Trouble, Woman Trouble. His name became a household word after Secret Record of Naruto was serialized in the Osaka Mainichi Shimbun (Osaka Daily Newspaper), from then on his writing became much more popular.
In the early 1930s, his writing became introspective, reflecting growing troubles in his personal life. But in 1935, with the serialization of Musashi, about famed swordsman Miyamoto Musashi (宮本武蔵), in the Asahi Shimbun, his writing settled firmly into the genre of historical adventure fiction.
Upon the outbreak of war with China in 1937 the Asahi Shimbun sent him into the field as a special correspondent. At this time he divorced Yasu Akazawa and married Fumiko Ikedo. During the war he continued writing novels, and became more influenced by Chinese culture. Among the works of this period are Taiko and his re-telling of the Romance of the Three Kingdoms.
At the end of the war he stopped writing for a while and settled down to enjoy a quiet retirement in Yoshino (present-day Oumeshi) on the outskirts of Tokyo, but by 1947 he had started writing again. His post-war works include New Tale of the Heike, published in the Asahi Weekly (1950), and A Private Record of the Pacific War (1958). On September 7, 1962, he died from cancer-related complications.

FUNKIST - Snow Fairy

FAIRY, WHERE YOU GOING
Hikari zenbu atsumete
Kimi no ashita terasu yo

OH YEAH! kikoeten no kako no koe wa?
OH YEAH! karetatte sakebu kara
OH YEAH! kikoeru made kimi no kokoro ga
OH YEAH! OH YEAH!

Tsuki to taiyou no haitacchi
Wasuremono wanai desuka?
Okashii na kimi ga inai to
Hoshii mono sae mitsukaranai

SNOWING sunao ni
Egao ni nareta no wa
Futari yorisoi
Kasane atta "jikan" ga aru kara
FAIRY, WHERE YOU GOING
Hikari zenbu atsumete
Kimi no ashita terasu yo

OH YEAH! namiuchigawa ni ukabeta kanjou
Itsu no manika orenji sae
Shiroku kawatteku kisetsu
OH YEAH! bokura futari mitsumeteta RAINBOW
Ima wa omoide no naga de
Nanairo ga yuki ni kawaru

Fushigi dana kimi ga warau to
Boku wa sukoshi dake tsuyoku narerunda

SNOWING konna ni
Hitori furueteru kimi no
Soba ni yorisoi
Tsutsumi komu koto mo dekizu ni
FAIRY, SLOWLY BUT SURELY
YOU'RE WALKING YOUR WAY,
HANG IN THERE!

Warau koto sae
Wasureteta boku ni
Mahou wo kakete
Egao hitotsu de
Subete wo kaeta
Kimi wa boku no FAIRY

SNOWING sunao ni
Egao ni nareta no wa
Futari yorisoi
Kasane atta "jikan" ga aru kara
FAIRY, WHERE YOU GOING
Hikari zenbu atsumete
Kimi wo terasu yo

SNOWING sunao ni
Egao ni nareta no wa
Kimi dakara
Kimi to datta kara
SNOWING FAIRY
Kimi ga kureta hikari
Zenbu atsume sakebu yo
SNOW FAIRY

DON'T SAY GOODBYE

Thursday, May 9, 2013

Manga

               Manga is actually refers to a style of cartoons originating in Japan. They usually are published in installments, and depending on their form, can be up to several hundred pages long. Many different genres are available, so they are popular with people of all ages and backgrounds. Known for their in-depth plots and characters, these well-respected works have been drawn for hundreds of years, although the modern version developed starting in the mid-20th century.





                First of all, though an outsider might think Japan get comics from the West, this is not true. Japan has been making cartoon art for a very long time (there are humorous ink drawings of animals and caricatured people from hundreds of years ago, bearing striking resemblances to modern manga). True, some aspects of manga are taken from the West (Osamu Tezuka, the "father" of modern manga, was influenced by Disney and Max Fleisher), but its main features, such as simple lines and stylized features, are distinctly Japanese. It may be that Chinese art had more influence than Western.
               Manga is thought to have started centuries ago with Chojugiga ("The Animal Scrolls"), drawn by Kakuyu (1053 - 1140), but it didn’t really begin to develop as a full narrative form until the work of Hokusai Katsushika (1760 - 1849). The real boom started after the end of World War II.
               Kanagaki Robun and Kawanabe Kyosai created the first manga magazine in 1874: Eshinbun Nipponchi. The magazine was heavily influenced by Japan Punch, founded in 1862 by Charles Wirgman, a British cartoonist. Eshinbun Nipponchi had a very simple style of drawings and did not become popular with many people. Eshinbun Nipponchi ended after three issues. The magazine Kisho Shimbun in 1875 was inspired by Eshinbun Nipponchi, which was followed by Marumaru Chinbun in 1877, and then Garakuta Chinpo in 1879. Shōnen Sekai was the first shōnen magazine created in 1895 by Iwaya Sazanami, a famous writer of Japanese children's literature back then. Shōnen Sekai had a strong focus on the First Sino-Japanese War.

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